DC Field | Value | Language |
---|---|---|
dc.contributor.author | Schaub, Mirjam | - |
dc.date.accessioned | 2022-02-16T16:26:23Z | - |
dc.date.available | 2022-02-16T16:26:23Z | - |
dc.date.issued | 2021-12 | - |
dc.identifier.issn | 0940-9459 | en_US |
dc.identifier.uri | http://hdl.handle.net/20.500.12738/12427 | - |
dc.language.iso | de | en_US |
dc.publisher | Verlag Texte zur Kunst | en_US |
dc.relation.ispartof | Texte zur Kunst | en_US |
dc.subject | Fondazione Prada, Ca' Corner della Regina, Venedig | en_US |
dc.subject | Doppelbödigkeit jeder malerischen Zerstörungsgeste | en_US |
dc.subject | Erfolgsgeschichte der Malerei | en_US |
dc.subject | Inkorporation | en_US |
dc.subject | Neokapitalismus | en_US |
dc.subject.ddc | 700: Künste, Bildende Kunst allgemein | en_US |
dc.title | Man ahnt die Absicht und ist verstimmt : Stop Painting ; Besprechung der von Peter Fischli kuratierten Ausstellung in der Fondazione Prada in Venedig | de |
dc.type | Article | en_US |
local.contributorPerson.editor | Graw, Isabelle | - |
tuhh.container.endpage | 141 | en_US |
tuhh.container.issue | 124 | en_US |
tuhh.container.startpage | 138 | en_US |
tuhh.container.volume | 31 | en_US |
tuhh.oai.show | true | en_US |
tuhh.publication.institute | Fakultät Design, Medien und Information | en_US |
tuhh.publication.institute | Department Design | en_US |
tuhh.type.opus | (wissenschaftlicher) Artikel | - |
dc.type.casrai | Journal Article | - |
dc.type.dini | article | - |
dc.type.driver | article | - |
dc.type.status | info:eu-repo/semantics/publishedVersion | en_US |
dcterms.DCMIType | Text | - |
item.creatorGND | Schaub, Mirjam | - |
item.fulltext | No Fulltext | - |
item.creatorOrcid | Schaub, Mirjam | - |
item.grantfulltext | none | - |
item.cerifentitytype | Publications | - |
item.languageiso639-1 | de | - |
item.openairecristype | http://purl.org/coar/resource_type/c_6501 | - |
item.openairetype | Article | - |
crisitem.author.dept | Department Design | - |
crisitem.author.parentorg | Fakultät Design, Medien und Information | - |
Appears in Collections: | Publications without full text |
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