DC Element | Wert | Sprache |
---|---|---|
dc.contributor.advisor | Schaub, Mirjam | - |
dc.contributor.author | Levin, Noa | - |
dc.date.accessioned | 2025-02-13T15:05:00Z | - |
dc.date.available | 2025-02-13T15:05:00Z | - |
dc.date.issued | 2025 | - |
dc.identifier.isbn | 978-1-3504-1423-5 | en_US |
dc.identifier.isbn | 978-1-3504-1422-8 | en_US |
dc.identifier.isbn | 978-1-3504-1421-1 | en_US |
dc.identifier.uri | https://hdl.handle.net/20.500.12738/17083 | - |
dc.language.iso | en | en_US |
dc.publisher | Bloomsbury Academic | en_US |
dc.subject.ddc | 100: Philosophie | en_US |
dc.title | Benjamin, Deleuze, and the Baroque : the early modern origins of media theory | en |
dc.type | Thesis | en_US |
dcterms.dateAccepted | 2020-02-17 | - |
dc.description.version | AlternativeReviewed | en_US |
thesis.grantor.place | Kingston upon Thames | en_US |
thesis.grantor.universityOrInstitution | Kingston University | en_US |
tuhh.contributor.referee | Hallward, Peter | - |
tuhh.contributor.referee | Osborne, Peter | - |
tuhh.oai.show | true | en_US |
tuhh.publication.institute | Department Design | en_US |
tuhh.publication.institute | Fakultät Design, Medien und Information | en_US |
tuhh.publisher.doi | 10.5040/9781350422384 | - |
tuhh.type.opus | Dissertation | - |
dc.type.casrai | Dissertation | - |
dc.type.dini | doctoralThesis | - |
dc.type.driver | doctoralThesis | - |
dc.type.status | info:eu-repo/semantics/publishedVersion | en_US |
dc.type.thesis | doctoralThesis | en_US |
dcterms.DCMIType | Text | - |
item.grantfulltext | none | - |
item.creatorGND | Levin, Noa | - |
item.cerifentitytype | Publications | - |
item.creatorOrcid | Levin, Noa | - |
item.advisorGND | Schaub, Mirjam | - |
item.languageiso639-1 | en | - |
item.openairecristype | http://purl.org/coar/resource_type/c_46ec | - |
item.fulltext | No Fulltext | - |
item.openairetype | Thesis | - |
Enthalten in den Sammlungen: | Publications without full text |
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